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Mark Twain's Own Autobiography stands as the last of Twain's great yarns. Here he tells his story in his own way, freely expressing his joys and sorrows, his affections and hatreds, his rages and reverence--ending, as always, tongue-in-cheek: "Now, then, that is the tale. Some of it is true." More than the story of a literary career, this memoir is anchored in the writer's relation to his family--what they meant to him as a husband, father, and artist. It also brims with many of Twain's best comic anecdotes about his rambunctious boyhood in Hannibal, his misadventures in the Nevada territory, his notorious Whittier birthday speech, his travels abroad, and more. Twain published twenty-five "Chapters from My Autobiography" in the North American Review in 1906 and 1907. "I intend that this autobiography . . . shall be read and admired a good many centuries because of its form and method--form and method whereby the past and the present are constantly brought face to face, resulting in contrasts which newly fire up the interest all along, like contact of flint with steel." For this second edition, Michael Kiskis's introduction references a wealth of critical work done on Twain since 1990. He also adds a discussion of literary domesticity, locating the autobiography within the history of Twain's literary work and within Twain's own understanding and experience of domestic concerns.
Humorists, American --- Authors, American --- Biography. --- Twain, Mark, --- Twain, Mark --- Tvėn, Mark --- Tuėĭn, Mark --- Tuwayn, Mārk --- Twayn, Mārk --- Tʻu-wen, Ma-kʻo --- Tven, M. --- Touen, Makū --- Twain, Marek --- Make Tuwen --- Tuwen, Make --- Make Teviin --- Твен, Марк --- Touain, Mark --- טבןַ, מרק, --- טוויין, מארק, --- טוויין, מרק, --- טווין, מארק, --- טווין, מרק, --- טווען, מארק, --- טוין, מרק, --- טװען, מארק, --- טװײן, מארק, --- 馬克吐温, --- Tuvāyn, Mārk --- Tvāyn, Mārk --- تواين، مارک --- Clemens, Samuel Langhorne --- Snodgrass, Quintus Curtius --- Conte, Louis de
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The ninety-four recollections gathered in Twain in His Own Time form an unsanitized, collaborative biography designed to provide a multitude of perspectives on the iconic author. Opening with an interview with his mother that has never been reprinted, it includes memoirs by his daughters and by men who knew him when he was roughing it in Nevada and California, an interview with the pilot who taught him to navigate the Mississippi River, reminiscences from his illustrators E. M. Kemble and Dan Beard and two of his so-called adolescent angelfish, contributions from politicians and from such lite
Authors, American --- Twain, Mark, --- Twain, Mark --- Tvėn, Mark --- Tuėĭn, Mark --- Tuwayn, Mārk --- Twayn, Mārk --- Tʻu-wen, Ma-kʻo --- Tven, M. --- Touen, Makū --- Twain, Marek --- Make Tuwen --- Tuwen, Make --- Make Teviin --- Твен, Марк --- Touain, Mark --- טבןַ, מרק, --- טוויין, מארק, --- טוויין, מרק, --- טווין, מארק, --- טווין, מרק, --- טווען, מארק, --- טוין, מרק, --- טװען, מארק, --- טװײן, מארק, --- 馬克吐温, --- Tuvāyn, Mārk --- Tvāyn, Mārk --- تواين، مارک --- Clemens, Samuel Langhorne --- Snodgrass, Quintus Curtius --- Conte, Louis de --- Friends and associates.
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Heretical Fictions is the first full-length study to assess the importance of Twain's heretical Calvinism as the foundation of his major works, bringing to light important thematic ties that connect the author's early work to his high period and from there to his late work. Berkove and Csicsila set forth the main elements of Twain's "countertheological" interpretation of Calvinism and analyze in detail the way it shapes five of his major books-Roughing It, The Adventures of Tom Sawyer, Adventures of Huckleberry Finn, A Connecticut Yankee in King Arthur's Court, and No. 44, The Mysterious Stran
Religion in literature. --- Religion in drama --- Religion in poetry --- Twain, Mark, --- Twain, Mark --- Tvėn, Mark --- Tuėĭn, Mark --- Tuwayn, Mārk --- Twayn, Mārk --- Tʻu-wen, Ma-kʻo --- Tven, M. --- Touen, Makū --- Twain, Marek --- Make Tuwen --- Tuwen, Make --- Make Teviin --- Твен, Марк --- Touain, Mark --- טבןַ, מרק, --- טוויין, מארק, --- טוויין, מרק, --- טווין, מארק, --- טווין, מרק, --- טווען, מארק, --- טוין, מרק, --- טװען, מארק, --- טװײן, מארק, --- 馬克吐温, --- Tuvāyn, Mārk --- Tvāyn, Mārk --- تواين، مارک --- Clemens, Samuel Langhorne --- Snodgrass, Quintus Curtius --- Conte, Louis de --- Religion. --- Religion and ethics --- Religion in literature
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Literature and science are two disciplines are two disciplines often thought to be unrelated, if not actually antagonistic. But Robert J. Scholnick points out that these areas of learning, up through the beginning of the nineteenth century, ""were understood as parts of a unitary endeavor."" By mid-century they had diverged, but literature and science have continued to interact, conflict, and illuminate each other. In this innovative work, twelve leaders in this emerging interdisciplinary field explore the long engagement of American writers with science and uncover science's conflicting meani
American literature --- Thematology --- Science in literature --- Sciences dans la littérature --- Wetenschappen in de literatuur --- History and criticism --- Literature and science --- United States --- Franklin, Benjamin --- Jefferson, Thomas --- Poe, Edgar Allan --- Thoreau, Henry David --- Twain, Mark --- Crane, Harold Hart --- Science in literature. --- History and criticism. --- Poetry and science --- Science and literature --- Science and poetry --- Science and the humanities
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Authors, American --- Twain, Mark, --- Tvėn, Mark, --- Tuėĭn, Mark, --- Tuwayn, Mārk, --- Twayn, Mārk, --- Tʻu-wen, Ma-kʻo, --- Tven, M. --- Touen, Makū, --- Twain, Marek, --- Make Tuwen, --- Tuwen, Make, --- Make Teviin, --- Твен, Марк, --- Touain, Mark, --- טבןַ, מרק, --- טוויין, מארק, --- טוויין, מרק, --- טווין, מארק, --- טווין, מרק, --- טווען, מארק, --- טוין, מרק, --- טװען, מארק, --- טװײן, מארק, --- 馬克吐温, --- Clemens, Samuel Langhorne, --- Snodgrass, Quintus Curtius, --- Conte, Louis de, --- Twain, Mark --- Authors [American ] --- 19th century --- Biography --- Tuvāyn, Mārk, --- تواين، مارک --- Tvāyn, Mārk, --- Tvėn, Mark --- Tuėĭn, Mark --- Tuwayn, Mārk --- Twayn, Mārk --- Tʻu-wen, Ma-kʻo --- Touen, Makū --- Twain, Marek --- Make Tuwen --- Tuwen, Make --- Make Teviin --- Твен, Марк --- Touain, Mark --- Tuvāyn, Mārk --- Tvāyn, Mārk --- Clemens, Samuel Langhorne --- Snodgrass, Quintus Curtius --- Conte, Louis de
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Mark Twain, who was often photographed with a cigar, once remarked that he came into the world looking for a light. In this new biography, published on the centennial of the writer's death, Jerome Loving focuses on Mark Twain, humorist and quipster, and sheds new light on the wit, pathos, and tragedy of the author of Adventures of Huckleberry Finn. In brisk and compelling fashion, Loving follows Twain from Hannibal to Hawaii to the Holy Land, showing how the southerner transformed himself into a westerner and finally a New Englander. This re-examination of Twain's life is informed by newly discovered archival materials that provide the most complex view of the man and writer to date.
Authors, American --- Humorists, American --- Twain, Mark, --- Twain, Mark --- Tvėn, Mark --- Tuėĭn, Mark --- Tuwayn, Mārk --- Twayn, Mārk --- Tʻu-wen, Ma-kʻo --- Tven, M. --- Touen, Makū --- Twain, Marek --- Make Tuwen --- Tuwen, Make --- Make Teviin --- Твен, Марк --- Touain, Mark --- טבןַ, מרק, --- טוויין, מארק, --- טוויין, מרק, --- טווין, מארק, --- טווין, מרק, --- טווען, מארק, --- טוין, מרק, --- טװען, מארק, --- טװײן, מארק, --- 馬克吐温, --- Tuvāyn, Mārk --- Tvāyn, Mārk --- تواين، مارک --- Clemens, Samuel Langhorne --- Snodgrass, Quintus Curtius --- Conte, Louis de --- Authors [American ] --- 19th century --- Biography --- Humorists [American ] --- adventures of huckleberry finn. --- america. --- american authors. --- american literature. --- american south. --- american west. --- archives. --- biographical. --- biography. --- book club reads. --- comedy. --- discussion books. --- europe. --- famous authors. --- funny. --- historical research. --- humorists. --- humorous. --- life lessons. --- lit studies. --- literary criticism. --- literary critics. --- literary figures. --- mark twain. --- new england. --- nonfiction. --- samuel clemens. --- twain fans. --- twain scholars. --- us lit. --- wit.
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From the patricians of the early republic to post-Reconstruction racial scientists, from fin de siècle progressivist social reformers to post-war sociologists, character, that curiously formable yet equally formidable “stuff,” has had a long and checkered history giving shape to the American national identity.Bodies of Reform reconceives this pivotal category of nineteenth-century literature and culture by charting the development of the concept of “character” in the fictional genres, social reform movements, and political cultures of the United States from the mid-nineteenth to the early-twentieth century. By reading novelists such as Herman Melville, Mark Twain, Pauline Hopkins, and Charlotte Perkins Gilman alongside a diverse collection of texts concerned with the mission of building character, including child-rearing guides, muscle-building magazines, libel and naturalization law, Scout handbooks, and success manuals, James B. Salazar uncovers how the cultural practices of representing character operated in tandem with the character-building strategies of social reformers. His innovative reading of this archive offers a radical revision of this defining category in U.S. literature and culture, arguing that character was the keystone of a cultural politics of embodiment, a politics that played a critical role in determining-and contesting-the social mobility, political authority, and cultural meaning of the raced and gendered body.
Politics and literature --- Political culture --- Rhetoric --- Character --- National characteristics, American, in literature. --- Characters and characteristics in literature. --- Character in literature. --- American fiction --- Language and languages --- Speaking --- Authorship --- Expression --- Literary style --- Ethology --- Ethics --- Personality --- Character sketches --- Characterization (Literature) --- Literary characters --- Literary portraits --- Portraits, Literary --- History --- Political aspects --- History and criticism. --- History and criticism --- 19th century --- Characters and characteristics in literature --- National characteristics [American ] in literature --- United States --- Twain, Mark --- Characters --- Gilman, Charlotte Perkins --- Criticism and interpretation --- Hopkins, Pauline Elizabeth --- Addams, Jane --- Bodies. --- States. --- United. --- category. --- century. --- character. --- charting. --- concept. --- culture. --- cultures. --- development. --- early-twentieth. --- fictional. --- from. --- genres. --- literature. --- mid-nineteenth. --- movements. --- nineteenth-century. --- pivotal. --- political. --- reconceives. --- reform. --- social. --- this.
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This landmark anniversary edition contains a selection of Twain's hard-to-find letters and notes expressing his always-engaging opinions on the publication of Tom Sawyer.
Boys -- Fiction. --- Child witnesses -- Fiction. --- Mississippi River Valley -- Fiction. --- Missouri -- Fiction. --- Runaway children -- Fiction. --- Sawyer, Tom (Fictitious character) -- Fiction. --- Runaway children --- Fugitive slaves --- English --- Languages & Literatures --- American Literature --- Sawyer, Tom --- Sawyer, Thomas --- Twain, Mark, --- Fugitive slaves -- Fiction. --- 19th century. --- adventure stories. --- adventures. --- american authors. --- american literature. --- american south. --- anniversary edition. --- banned books. --- boyhood. --- childhood. --- children. --- classic lit. --- classic literature. --- coming of age. --- famous author. --- famous authors. --- fiction classics. --- fiction. --- growing up. --- hannibal missouri. --- high school. --- huckleberry finn. --- humor. --- illustrated. --- juvenile. --- literary fiction. --- mississippi river. --- mississippi. --- moral issues. --- original text. --- realism. --- required reading. --- slavery. --- small town setting. --- tom sawyer. --- young adult fiction.
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"I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away-to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion-to "talk only about the thing which interests you for the moment"-meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind." The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Editors: Harriet E. Smith, Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie Myrick
Authors, American --- Twain, Mark, --- Twain, Mark --- Tvėn, Mark --- Tuėĭn, Mark --- Tuwayn, Mārk --- Twayn, Mārk --- Tʻu-wen, Ma-kʻo --- Tven, M. --- Touen, Makū --- Twain, Marek --- Make Tuwen --- Tuwen, Make --- Make Teviin --- Твен, Марк --- Touain, Mark --- טבןַ, מרק, --- טוויין, מארק, --- טוויין, מרק, --- טווין, מארק, --- טווין, מרק, --- טווען, מארק, --- טוין, מרק, --- טװען, מארק, --- טװײן, מארק, --- 馬克吐温, --- Tuvāyn, Mārk --- Tvāyn, Mārk --- تواين، مارک --- Clemens, Samuel Langhorne --- Snodgrass, Quintus Curtius --- Conte, Louis de --- american historian. --- american history. --- american literature. --- atypical memoir. --- autobiography. --- daily dictations. --- english professor. --- great american writers. --- historical figures. --- humorist. --- literary history. --- mark twain project. --- memoir. --- notable american figures. --- pen name. --- pseudonym. --- southern history. --- third volume. --- 19th century. --- 20th century authors. --- adventures. --- american authors. --- american lit. --- american south. --- american. --- classics. --- coming of age. --- critic. --- engaging. --- famous authors. --- free thoughts. --- historical. --- life journey. --- life lessons. --- life story. --- literary criticism. --- literary icon. --- literary. --- lively. --- mark twain. --- nonfiction. --- opinionated. --- page turner. --- public figure. --- students and teachers. --- twain scholars. --- uncensored. --- america. --- curiosity. --- europe. --- huckleberry finn. --- humorous. --- lecturer. --- legendary writer. --- life changes. --- lit students. --- literary career. --- literary critics. --- literary figures. --- literature studies. --- mark twain papers. --- memoirs. --- novelist. --- private life. --- public image. --- samuel clemens. --- tom sawyer.
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How did slavery and race impact American literature in the nineteenth century? In this ambitious book, Michael T. Gilmore argues that they were the carriers of linguistic restriction, and writers from Frederick Douglass to Stephen Crane wrestled with the demands for silence and circumspection that accompanied the antebellum fear of disunion and the postwar reconciliation between the North and South. Proposing a radical new interpretation of nineteenth-century American literature, The War on Words examines struggles over permissible and impermissible utterance in works ranging from Thoreau's "Civil Disobedience" to Henry James's The Bostonians. Combining historical knowledge with groundbreaking readings of some of the classic texts of the American past, The War on Words places Lincoln's Cooper Union address in the same constellation as Margaret Fuller's feminism and Thomas Dixon's defense of lynching. Arguing that slavery and race exerted coercive pressure on freedom of expression, Gilmore offers here a transformative study that alters our understanding of nineteenth-century literary culture and its fraught engagement with the right to speak.
American literature --- Slavery in literature. --- Race in literature. --- Literary style --- Slavery and slaves in literature --- Slaves in literature --- Literature --- Style, Literary --- Language and languages --- Rhetoric --- History and criticism. --- Social aspects --- Style --- 19th century --- History and criticism --- 20th century --- Slavery in literature --- Race in literature --- Style [Literary ] --- United States --- Emerson, Ralph Waldo --- Criticism and interpretation --- Thoreau, Henry David --- Fuller, Margaret --- Hawthorne, Nathaniel --- Stowe, Harriet Elizabeth Beecher --- Douglass, Frederick --- Whitman, Walt --- Melville, Herman --- Tourgee, Albion Winegar --- James, Henry --- Twain, Mark --- Crane, Stephen --- Chesnutt, Charles Waddell --- Dixon, Thomas --- Enslaved persons in literature --- slavery, race, literature, frederick douglass, stephen crane, silence, antebellum, disunion, america, reconciliation, utterance, henry james, thoreau, civil disobedience, bostonians, freedom, expression, rhetoric, speaking, voice, lynching, thomas dixon, speech, feminism, margaret fuller, cooper union, lincoln, hawthorne, dissent, whitman, melville, stowe, twain, chestnutt, racism, indian question, jackson, tourgee, bartleby, billy budd, politics, history.
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